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Big Head Todd @ Slowdown SOLD OUT!
February 19 @ 7:30 pm$29.50 – $35
Big Head Todd and the Monsters are not that big on anniversaries, so there won’t be any big hoopla over the fact that the band is officially crossing the three-decade mark this year. Thirty years would seem like something to commemorate, especially with the same core lineup, an achievement few other name-brand bands can boast of. Yet right now they’re less about celebrating stability than volatility, in the form of their eleventh studio album, New World Arisin’, which makes good on its forward-facing title with what might be the brashest rock and roll of their career. The old world can’t rest on any laurels, and neither will they.
“We’re in a real exciting part of our career right now,” says co-founder Todd Park Mohr. “We’re a viable band with a great audience and we’re able to work at a very high level. It’s a career that’s getting more and more interesting, rather than less, which is remarkable,” he says, chuckling at the unlikelihood of anyone being this cheerfully all-in, this far in. “I mean, 30 years into it, I really feel like: Wow, this is getting fun. I’m learning more about music and about my instrument, and it’s just really engaging in every way. We also dovetail well with the times, I think; I feel like we have something to say.”
“Only the living feel the ﬂow/only the loving let it go”- Unspoken
One of the highest and rarest aspirations in popular music is to reach for the transcendental, to access the spirit. On the third album “The Wave” by Nashville based Los Colognes, they succeed just this- in breaking through the conﬁnes of everyday pop song lyricism to tell a sort of holistic story. It’s not a concept piece, but it’s a brooding and still joyful song cycle ﬁlled with philosophical rumination, effortless hooks, inspiring musicianship, and expansive arrangements. It’s an album perfectly suited of the current zeitgeist of unease and hope.
“The Wave” is an album about archetypes and about the everyday. There are illusions to the Great Flood, to Plato’s Cave, to Poe, to the hero’s quest so iconically deﬁned by Joseph Campbell. There are recurring metaphors about the water, about the vastness of the ocean and the delicate balance between riding the wave and being pulled under. There is struggle, there is dread, there is hope, there is ultimately the knowledge only gained by a journey. It’s an album about attempting to gain acceptance with the ﬂow of adulthood, life in the music business, the changing awareness that only time and maturity can hand to someone.
Guitarist/singer Jay Rutherford opines in the album’s initial single , “Flying Apart” Nobody believed/We’re all just hoping/Floating down streams”. It’s a song that repeatedly invokes the wave metaphor of the album’s title while churning through its own sonic sea of shimmering keyboards and guitars anchored by drummer Aaron Mortenson. The music evokes any of the best moments of late seventies or mid eighties FM radio while never being weighed down by the specter of inﬂuence. Los Colognes are a young band who have managed to forge their own sound while channeling the best sonic worlds of the decades past. Unlike the live approach used to record the group’s previous records, “The Wave” was built from the ground up so to speak and with attention to each track, each part. There is a certain economy of space in the songs that feels deliberate while never ceasing to be warm and inclusive. Guitar and keyboard lines drift off each other in between lyrical exchanges while Mortenson propels the beat, sometimes meditative, sometimes driving. Each song passes into another with a thoughtful pause- a passing keyboard chord, a drone, a bit of noise, a breath before the next reﬂection. Like any fully realized album, there is a cyclical wholeness to it that beckons the listener not just to hear it in its entirety from the outset, but to hit ‘play’ again or lift the needle as soon as the last chord of “Can You Remember?” subsides. Rutherford sings on “Can You Remember?” – ‘When you were young/there was a ﬂood/ almost drowned’, but with the understanding that the journey didn’t end in tragedy, we didn’t drown, we are still navigating the waters and with new perspective. The journey to ﬁnish the recording of “The Wave” was its own quest of sorts for Rutherford and Mortenson, a more deliberate process of creation and craft that shows a band becoming fully aware of its voice and its vision. As current events in the world breed anxiety and unease, as the accelerating paces of the hyper information age make it yet harder to deliver contemplative messages in the arts, and as we all struggle to accept the uncertainty and mystique of ‘living in the moment’, Los Colognes have given us a singular collection of quietly anthemic tunes, held together by philosophical reﬂection and damn ﬁne rock and roll chops. The Wave is coming.